- Μηνύματα
- 28
- Reaction score
- 4
Καλησπέρα,
'Εχει κάποιος εμπειρία με atc-sia2-15?
Αν ναι μπορείτε να μου πείτε κατα πόσον η παρακάτω κριτική ανταποκρίνεται στην πραγματικότητα
https://witchdoctor.co.nz/index.php/2010/11/atc-sia2-150-integrated-amplifier-review/. Επίσης είχε κάποιος την ευκαιρία να το συγκρίνει με Hegel ενισχυτικά?
Το παρακάτω απόσπασμα μου κέντρισε το ενδιαφέρον, περιγράφει τον ιδανικό ενισυχτή για μένα:
Μy initial impressions of the ATC’s sound was that it was as rich as a mug of steaming hot cocoa. The treble doesn’t bite, the midrange is wide open and there’s nothing that could cause offense. But to continue the beverage related analogy, someone dropped a jigger of bourbon into the mix, because the sonics aren’t all mellow smoothness. There’s screeds of detail and a level of control, insight and precision that balances everything out towards a warm neutrality. It’s also very clean and transparent; ‘revealing’ is probably the right term. Think valve/solid state hybrid with none of the deficiencies of either and you’ll know what I mean.
The ATC pulls off the difficult trick of being in a sonic sweet spot – warm but not slow, powerful but not overbearing or shouty, crisp but not edgy. I could listen to it for hours and hours with no fatigue at all. This is definitely not one of those uber-audiophile amps that only tolerates the very best recordings while making most of your collection unlistenable.
The ATC put together a great combination of throbbing weight and textural detail into the guitars that run throughout ‘Come As You Are’ from Nirvana’s MTV Unplugged In New York CD. The instruments and Kurt Cobain’s vocals had a gritty roughness to them and the overall character of the sound was punchy but not harsh at all. The guitar on ‘Pennyroyal Tea’ was starkly revealed like a spotlight had been shone on every vibration of every string. More rock followed and the distorted guitars of Neil Young and Crazy Horse on Weld had all the edginess they needed to sound authentic without being too rough.
'Εχει κάποιος εμπειρία με atc-sia2-15?
Αν ναι μπορείτε να μου πείτε κατα πόσον η παρακάτω κριτική ανταποκρίνεται στην πραγματικότητα
https://witchdoctor.co.nz/index.php/2010/11/atc-sia2-150-integrated-amplifier-review/. Επίσης είχε κάποιος την ευκαιρία να το συγκρίνει με Hegel ενισχυτικά?
Το παρακάτω απόσπασμα μου κέντρισε το ενδιαφέρον, περιγράφει τον ιδανικό ενισυχτή για μένα:
Μy initial impressions of the ATC’s sound was that it was as rich as a mug of steaming hot cocoa. The treble doesn’t bite, the midrange is wide open and there’s nothing that could cause offense. But to continue the beverage related analogy, someone dropped a jigger of bourbon into the mix, because the sonics aren’t all mellow smoothness. There’s screeds of detail and a level of control, insight and precision that balances everything out towards a warm neutrality. It’s also very clean and transparent; ‘revealing’ is probably the right term. Think valve/solid state hybrid with none of the deficiencies of either and you’ll know what I mean.
The ATC pulls off the difficult trick of being in a sonic sweet spot – warm but not slow, powerful but not overbearing or shouty, crisp but not edgy. I could listen to it for hours and hours with no fatigue at all. This is definitely not one of those uber-audiophile amps that only tolerates the very best recordings while making most of your collection unlistenable.
The ATC put together a great combination of throbbing weight and textural detail into the guitars that run throughout ‘Come As You Are’ from Nirvana’s MTV Unplugged In New York CD. The instruments and Kurt Cobain’s vocals had a gritty roughness to them and the overall character of the sound was punchy but not harsh at all. The guitar on ‘Pennyroyal Tea’ was starkly revealed like a spotlight had been shone on every vibration of every string. More rock followed and the distorted guitars of Neil Young and Crazy Horse on Weld had all the edginess they needed to sound authentic without being too rough.
