- Μηνύματα
- 414
- Reaction score
- 118
Στο κουτί της, φυσικά άστρωτη ..
http://www.turntableneedles.com/AT150MLX-Audio-Technica_p_3806.html
Frequency Response 10-30,000 Hz*
Channel Separation 30/20 (dB at 1 kHz/ 10 kHz)
Tracking Force Range 0.75-1.75 g
Stylus Construction Nude square shank
Recommended Load Impedance 47,000 ohms
Output 4 (mV at 1 kHz, 5 cm/sec)
Channel Balance 0.8 dB
Stylus Shape MicroLine™
Cantilever Gold-plated boron
Mount 1/2" centers
230Ε.
PS.
"Losing the Forest
I wish I could stop the review and say that this cartridge is a technical masterpiece; that it retrieves so much information that it’s state-of-the-art. But, there’s something a little dispassionate here, much like Joe Friday interviewing a witness, or Mr. Spock describing subspace interference. On many disks, ones that are mastered and pressed well, all the trees made a forest. Unfortunately, on just as many disks, the forest became individual tress. I’ve heard several cartridges that can pick out information better than the AT150MLX, but only two or three that put it together for a cohesive musical delivery. I’m not saying this cartridge is wrong, though. It’s just giving you the facts, as they are. The AT doesn’t gloss over anything; it has not been engineered to soften the delivery for a more enjoyable experience. Many cartridge manufacturers consciously make a decision to soften the delivery of detail, mostly with good results. The AT150MLX does not turn challenging material into a musical equivalent to comfort food."
http://www.turntableneedles.com/AT150MLX-Audio-Technica_p_3806.html
Frequency Response 10-30,000 Hz*
Channel Separation 30/20 (dB at 1 kHz/ 10 kHz)
Tracking Force Range 0.75-1.75 g
Stylus Construction Nude square shank
Recommended Load Impedance 47,000 ohms
Output 4 (mV at 1 kHz, 5 cm/sec)
Channel Balance 0.8 dB
Stylus Shape MicroLine™
Cantilever Gold-plated boron
Mount 1/2" centers
230Ε.
PS.
"Losing the Forest
I wish I could stop the review and say that this cartridge is a technical masterpiece; that it retrieves so much information that it’s state-of-the-art. But, there’s something a little dispassionate here, much like Joe Friday interviewing a witness, or Mr. Spock describing subspace interference. On many disks, ones that are mastered and pressed well, all the trees made a forest. Unfortunately, on just as many disks, the forest became individual tress. I’ve heard several cartridges that can pick out information better than the AT150MLX, but only two or three that put it together for a cohesive musical delivery. I’m not saying this cartridge is wrong, though. It’s just giving you the facts, as they are. The AT doesn’t gloss over anything; it has not been engineered to soften the delivery for a more enjoyable experience. Many cartridge manufacturers consciously make a decision to soften the delivery of detail, mostly with good results. The AT150MLX does not turn challenging material into a musical equivalent to comfort food."
