Lyngdorf MP-50 AV Pre

[platon]

Καινουργιος surround sound processor απο την Lyngdorf (οι συμπαθειες δεν κρυβονται).

http://www.lyngdorf.com/products/electronics/mp-50

 

[Dimifoot]

Πενταψήφια τιμή;

 

[platon]

Στο λιγο που γκουγκλαρα δεν βρηκα τιποτα, μαλλον θα πρεπει να περιμενουμε λιγο.
Θελω να πιστευω ............. 4ψηφια τιμη.

 

[JOHN MARKOU]

Ωραίος είναι ,τα παίζει όλα και υποθέτω καλά.
Πόσο κάνει όμως?

 

[makis.pol]

Λογικα πάνω απο anthem κάτω απο datasat ...

 

[Dimifoot]

Αποκλείεται κάτω απο 8

 

[Zizik]

The MP-50 comes to market in Spring 2017 with a MSRP price point of $9,999.

http://www.avsforum.com/forum/90-re...ngdorf-mp-50-16-channel-preamp-processor.html

 

[costas EAR]

Παρά ένα αμερικαν νταλαρ, πενταψηφιο!

 

[Kostas Kefalas]

The Downside
From an audio perspective, I was very impressed and can honestly say I have no concerns. Additionally, there are no quirks or missing functionality from my perspective. However, it is worth restating two items I noted earlier. First, the MP-50 lacks any analogue inputs. For me, this was a non-issue as all my sources are digital and I have no plans on adding an analogue device. More of a concern, though, is that there are no line-level RCA audio outputs; all outputs use an XLR connector. Simple fixes for this issue include cables made with XLR and RCA connectors on opposing ends, or perhaps XLR to RCA conversion connectors.

Comparison and Competition
The Lyngdorf MP-50 is somewhat of an anomaly within the AV surround sound processor category. If I compare it to processors in the same price range, the Audio Control Maestro M9 and the Acurus Act 4 come to mind. The M9 is limited to 11.1 channels, lacks Auro 3D, and is short on balanced XLR outputs for ceiling channels. The Act 4 maxes out at 9.5.6 or 9.7.4 as of its latest update, but its new ASPEQT room correction system is still an unknown quantity at this point.

My reference NAD M17 is a version 1, and the recently announced M17 version 2 ($5,999) adds Dirac Live and Dolby Atmos support. While the NAD is a fantastic processor, the MP-50 proved to be a step up in terms of microdynamics, clarity, functionality, and flexibility.

The Anthem AVM 60 is another stellar value product that performs very well. However, the Lyngdorf pushed the limits of my room and downstream system to new levels.

My experience suggests the MP-50 could be compared to higher priced products such as the Datasat RS20i or Trinnov Altitude 16. With all three immersive formats, the RS20i is priced at $26k and is a substantial product.

The Trinnov Altitude 16 is also a top line processor with the same number of output channels as the MP-50, with support for all three immersive formats and discrete rendering of up to 16 channels. It has plenty of system settings for just about any need. However, the Lyngdorf sells for thousands less.

https://hometheaterreview.com/lyngdorf-mp-50-av-preamp-reviewed/