Κώστας Φ.
Truth hurts. Here's a teddy bear.
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Eίχε αναφερθεί σε αυτό το θέμα ο Κ.Κ. κάποια στιγμή.
Στο...επίκαιρο άρθρο του Stereophile με τίτλο "Compression 101 - You keep using that word. I do not think it means what you think it means." (μπορείτε να το βρείτε εδώ), βρήκα ένα ενδιαφέρον link...
Λέει λοιπόν ο Wes Phillips:
"Digital recording, which allows engineers to work closer to the 0dB "ceiling," is frequently cited as the reason the practice of dynamic compression has become so ubiquitous, but its roots lie back in the 1950s, when record executives wanted singles mastered so that they sounded louder than the competition when played on the radio—on the theory that louder sounded better. Eventually, everybody caught on to that trick—and then radio stations started compressing their signals so that they sounded louder than their competition. Now the practice is so common that there's little point in owning a high-end tuner. Almost every station's signal sounds like crap.
Of course, digital mastering has helped the "loudness wars" reach their current state, where some recordings have as little as 4dB dynamic range—maybe less. How can there be less? 'Splaining that is hard to do, but fortunately, this page shows you what that means."
Kαι μετά μας δίνει το πολύ ενδιαφέρον link που σας έλεγα...
Καμαρώστε Ricky Martin [1999 Ricky Martin (C2/Columbia CK 69891)]:
Για διαβάστε εδώ...
Στο...επίκαιρο άρθρο του Stereophile με τίτλο "Compression 101 - You keep using that word. I do not think it means what you think it means." (μπορείτε να το βρείτε εδώ), βρήκα ένα ενδιαφέρον link...
Λέει λοιπόν ο Wes Phillips:
"Digital recording, which allows engineers to work closer to the 0dB "ceiling," is frequently cited as the reason the practice of dynamic compression has become so ubiquitous, but its roots lie back in the 1950s, when record executives wanted singles mastered so that they sounded louder than the competition when played on the radio—on the theory that louder sounded better. Eventually, everybody caught on to that trick—and then radio stations started compressing their signals so that they sounded louder than their competition. Now the practice is so common that there's little point in owning a high-end tuner. Almost every station's signal sounds like crap.
Of course, digital mastering has helped the "loudness wars" reach their current state, where some recordings have as little as 4dB dynamic range—maybe less. How can there be less? 'Splaining that is hard to do, but fortunately, this page shows you what that means."
Kαι μετά μας δίνει το πολύ ενδιαφέρον link που σας έλεγα...
Καμαρώστε Ricky Martin [1999 Ricky Martin (C2/Columbia CK 69891)]:
Για διαβάστε εδώ...
