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panag 505
Guest
Michael Garrick - Moonscape
Από το μακρινό 1964
jazz από τη Βρετανική σκηνή.
Από το μακρινό 1964
jazz από τη Βρετανική σκηνή.
καλησπέρα σας στους κανόνες του aviView attachment 213155
...According to Kahn, engineer Fred Plaut “…favored the new Telefunken U-49 microphones, a workhorse of the recording industry. Their warm, rounded response especially in the mid to lower range of the dynamic spectrum made them a favorite for jazz and other acoustic music sessions.” (I think Kahn meant of the frequency not the dynamic spectrum)...
...“Even the quietest original pressing creates a pleasing romantic blur over a soft bed of noise but compared to this issue the overall picture is distant and hazy (though the romanticized version still pulls). The UHQR offers the blackest, quietest backgrounds and unparalleled transparency, but more critically, the modified Finebuilt hand press produces unprecedented transient precision and instrumental focus and resolves low level details that will deliver surprises to even the most blasé KOB veteran, one of whom visited and exclaimed “I’ve never heard that before”. This pressing allows you to see further into the mix and transports you back in time and into the 30th Street studios. I don’t care what version you now have you’ve never heard Kind of Blue quite like this...
MUSIC
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SOUND
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The Best Ever Kind of Blue?
Is it possible to now write anything that hasn’t already been written or said about this record? I haven’t any fresh insights to offer that might advance what you probably already know. A good Kind of Blue pressing puts you in the 30th Street studio to hear the performance. Ashley Kahn’s “Kind...www.analogplanet.com
Πολύ καλό! Δεν το ήξερα καθόλου ούτε το άλμπουμ όυτε τον πιανίστα!