- Μηνύματα
- 29.792
- Reaction score
- 87.370
Στη γνωστή "διαμάχη" μεταξύ ενεργών και παθητικών ηχείων, βρίσκω εξαιρετικά χρήσιμη τη σύγκριση μεταξυ ίδιων ηχείων στις δυο διαφορετικές μορφές τους.
Εδω http://www.theabsolutesound.com/articles/atc-scm19a-loudspeaker/?page=2
έχουμε τους τυπικούς χαϊεντάδες του The Absolute Sound να ανακαλύπτουν τα ενεργά και να κάνουν τη σύγκριση, με τον χαρακτηριστικό τρόπο περιγραφής, (και χωρίς μετρήσεις
) :
Σύγκριση μεταξύ ενεργού και παθητικού SCM40 της ΑΤC:
The idea of an active loudspeaker intrigued me but what really sparked my interest was an ATC demonstration of active versus passive at CES 2015. It was a shootout between the SCM40 and its active cousin the SCM40A—otherwise identical three-way, acoustic-suspension floorstanders. The latter, however, was equipped with an internal electronic crossover splitting the signal into tri-amplified power. The former was the traditional passive design and received comparable power from ATC amplifiers and traditional speaker cabling. The differences were startling. Improved imaging, a vastly greater sense of dimensionality and immersion, and a level of low-frequency control that said to me in no uncertain terms “there is no going back.”
Και παρακάτω συγκρίνοντας το παθητικό με το ενεργο 20αρι της ATC:
The key differences, and I do mean differences with a capital D, are the 19A’s improved imaging, immersiveness, and tight-fisted low-end control. The active version sounds like a stronger, more muscular version of the passive one—as if the little SCM19 has spent the last few months at the gym. It now resolves more ambient cues, and with a broader and more colorful palette of timbre and texture to draw from.
και
In the same way an Olympic gymnast “sticks the landing,” there is a grounding to the orchestral soundstage that once heard is difficult to forget.
Γιά όσους προτιμούν τις "εμπειρίες" απο τις μετρήσεις...
Εδω http://www.theabsolutesound.com/articles/atc-scm19a-loudspeaker/?page=2
έχουμε τους τυπικούς χαϊεντάδες του The Absolute Sound να ανακαλύπτουν τα ενεργά και να κάνουν τη σύγκριση, με τον χαρακτηριστικό τρόπο περιγραφής, (και χωρίς μετρήσεις
) :Σύγκριση μεταξύ ενεργού και παθητικού SCM40 της ΑΤC:
The idea of an active loudspeaker intrigued me but what really sparked my interest was an ATC demonstration of active versus passive at CES 2015. It was a shootout between the SCM40 and its active cousin the SCM40A—otherwise identical three-way, acoustic-suspension floorstanders. The latter, however, was equipped with an internal electronic crossover splitting the signal into tri-amplified power. The former was the traditional passive design and received comparable power from ATC amplifiers and traditional speaker cabling. The differences were startling. Improved imaging, a vastly greater sense of dimensionality and immersion, and a level of low-frequency control that said to me in no uncertain terms “there is no going back.”
Και παρακάτω συγκρίνοντας το παθητικό με το ενεργο 20αρι της ATC:
The key differences, and I do mean differences with a capital D, are the 19A’s improved imaging, immersiveness, and tight-fisted low-end control. The active version sounds like a stronger, more muscular version of the passive one—as if the little SCM19 has spent the last few months at the gym. It now resolves more ambient cues, and with a broader and more colorful palette of timbre and texture to draw from.
και
In the same way an Olympic gymnast “sticks the landing,” there is a grounding to the orchestral soundstage that once heard is difficult to forget.
Γιά όσους προτιμούν τις "εμπειρίες" απο τις μετρήσεις...
